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Review: A Criminally Enjoyable ‘Hangmen’ From Martin McDonagh

Review: A Criminally Enjoyable ‘Hangmen’ From Martin McDonagh

Reece Shearsmith, left, and Johnny Flynn in “Hangmen,” which arrives at the Atlantic Theater Company after a London run.

When the ‘Mean Girls’ Were Teen Girls

When the ‘Mean Girls’ Were Teen Girls

Ashley Park, Taylor Louderman and Kate Rockwell, now starring in “Mean Girls” on Broadway, in their own high school yearbook photos.

He Used to Move Pianos. Now He Moves Audiences.

He Used to Move Pianos. Now He Moves Audiences.

“I was way past the whole mythology of the understudy getting the part,” Stephen Payne said of his surprise casting in “Straight White Men” on Broadway.

Review: An Elephant’s Ghost Stalks the World in ‘Mlima’s Tale’

Review: An Elephant’s Ghost Stalks the World in ‘Mlima’s Tale’

Sahr Ngaujah, center, in “Mlima’s Tale,” Lynn Nottage’s portrait of global plunder and commerce.

Review: Ye Olde Go-Go’s Songs Hit the Renaissance in ‘Head Over Heels’

Review: Ye Olde Go-Go’s Songs Hit the Renaissance in ‘Head Over Heels’

Taylor Iman Jones, center, as the loyal handmaiden Mopsa in the new musical “Head Over Heels” at the Hudson Theater.

Review: Jeremy Irons and Lesley Manville Lead a Hard-Run ‘Long Day’s Journey’

Review: Jeremy Irons and Lesley Manville Lead a Hard-Run ‘Long Day’s Journey’

Lesley Manville and Jeremy Irons in “Long Day’s Journey Into Night” at the Brooklyn Academy of Music.

Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin

Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin

Simon Russell Beale, Adam Godley and Ben Miles star in Stefano Massini’s “The Lehman Trilogy.”

When the Actors Are Students, and They’re Armed

When the Actors Are Students, and They’re Armed

Alexandria Celia, center, used a squirt gun painted black in “Miss Saigon” at Somerset Berkley Regional High in Massachusetts.

Anika Noni Rose Was Waiting for This Moment

Anika Noni Rose Was Waiting for This Moment

Anika Noni Rose on the World War II-era set of “Carmen Jones” at Classic Stage Company.

Review: ‘Hamilton’ Conquers London (King George Slays, Too)

Review: ‘Hamilton’ Conquers London (King George Slays, Too)

Jamael Westman, center, plays Alexander Hamilton in the London version of “Hamilton.”

Andrew Garfield and Stephen Spinella Trade Emails on Their Famed ‘Angels in America’ Role

Andrew Garfield and Stephen Spinella Trade Emails on Their Famed ‘Angels in America’ Role

Two Prior Walters: Andrew Garfield, left, plays Prior in the current revival of “Angels in America” on Broadway. Stephen Spinella originated the role in the early 1990s.

Review: ‘Dance Nation,’ the Power and the Terror of Girls at 13

Review: ‘Dance Nation,’ the Power and the Terror of Girls at 13

Camila Canó-Flaviá, front, and the cast of “Dance Nation,” Clare Barron’s blazingly original and unsettlingly familiar new play.

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice

From left, Kyle Beltran, Enver Gjokaj and Rebecca Naomi Jones in “Fire in Dreamland,” Rinne Groff’s new play at the Public Theater.

Review: George and Martha Redux in ‘Everyone’s Fine With Virginia Woolf’

Review: George and Martha Redux in ‘Everyone’s Fine With Virginia Woolf’

From left: Vin Knight, Mike Iveson, April Matthis and Annie McNamara in the Elevator Repair Service production of “Everyone’s Fine With Virginia Woolf” at the Abrons Arts Center.

Review: In a New Orleans ‘House,’ Wealthy Women Are Haunted by Slavery’s Ghosts

Review: In a New Orleans ‘House,’ Wealthy Women Are Haunted by Slavery’s Ghosts

Harriett D. Foy, center, as a slave living in a household of women that includes the imperious Beartrice Albans (played by Lynda Gravátt, right) and her daughters, played by Juliana Canfield and Nedra McClyde.


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